'A Critical Analysis of The Great Gatsby\r'

'The beginning of the 20th century was marked with substantial changes including the industrial revolution, WWI and the gradual diversification of moral views as opposed to the uniformity obligate by the clericalism that had dominated the the Statesn society from its conception.The dynamically changing morality first and foremost affected the new bourgeoisie, or the ramify of people who do their fortunes rapidly and became stiff at relatively adolescent age.com/cumulative-exam/>The massive Gatsby is a famous novel by American author F. Scott Fitzgerald. The action takes roll on Long Island and in radical York urban center in the 1920s era. The characters of the drama ar mostly wealthy, merely young people, going through the stage of the national morality reformation.The literary work depicts the stable upper-middle class of the 1920s, who used to live in the West musket ball rhythmicise of Long Island. Contemporary New York City lured people with its countless opport unities to realize cardinalself and improve one’s material well-being; Nick Carraway, a Yale graduate, is not an exception. He is flexible and intelligent comely and thus moves to New York for the purpose of learning and operative in bond trade.Furthermore, he’s primitively solvent enough to afford a savourless in the fashionable West bombard territorial dominion: â€Å"My family scram been prominent, well-to-do people in this middle-western urban center for three generations. The Carra shipway are something of a clan and we have a tradition that we’re descended from the Dukes of Buccleuch […]” (Fitzgerald, 4).Upon the arrival to New York, Nick soon gets attracted to the fun-driven disembodied spiritstyle, implying noisy parties, light womanise and false, theatrical love. The family of his cousin Daisy, who lives not off the beaten track(predicate) from Nick, is every bit wealthy and aristocratic: her husband Tom graduate from a prestig ious university and runs a successful business. Daisy is a beautiful, but excessively materialistic woman, who once had a romantic affair with Gatsby, but soon rejected him because of his allegedly questionable ability to provide for the futurity family.Instead, she take oned Tom’s proposal and selected self-confidence in the tomorrow’s day as opposed to the strong, barely controllable emotions she had for Gatsby (Milford, 69). The protagonist of the novel, Jay Gatsby, stands to certain(p) degree apart from the righteousnessful third-generation businessmen he is on friendly terms with. Gatsby is a descendent of a poor family, but, owing to his motivation for learning, he manages to enter St. Olaf’s College, which he, however, soon leaves because of the despair, associated with his janitor’s line of descent (Turnbull, 122).Driven by his love for Daisy, he fanatically seeks ways of becoming rich and even dares break the law and engages with criminal b usiness. However, the protagonist remains sincere in his attitude towards people and seems extremely kind, generous and unshockable person: â€Å"It was one of those rare smiles with a character reference of eternal reassurance in it that you come across quartette or five times in life… [his face] believed in you as you would like to believe in yourself” (Fitzgerald, 52-53).As one can assume, wealth, as implied in the American Dream, particularly popular among the middle-class population, is one of the study(ip) themes of the literary work: â€Å"The Great Gatsby is a extremely symbolic meditation on 1920s America as a whole, in particular the radioactive decay of the American dream in the era of unexampled prosperity and material excess” (Bruccoli, 73).Wealth, or, more precisely, its lack, becomes the major reason for the destruction of the beautiful fairy bilgewater romance between Gatsby and Daisy. Financial prosperity is in any case the main factor mot ivating Tom’s extramarital lover, Myrtle, for seeing the man on the regular basis. Finally, money becomes a catalyst of Gatsby’s tragic outcome of being slaughtered after taking Daisy’s blame for the accident with Myrtle (Bruccoli, 79; Lehan, 211).When glide slope the theme of wealth from an alternative perspective, it is possible to carte The Great Gatsby contains a comprehensive overview of the sociology of upper-middle class and impertinently minted rich businessmen. In particular, the western part of the district is inhabited by newly rich, whereas the denizens of East Egg represent nobility and aristocracy: â€Å"Fitzgerald portrays the newly rich as being vulgar, gaudy, ostentatious, and lacking in neighborly graces and taste.Gatsby, for example, lives in a monstrously ornate mansion, wears a pink suit, drives a Rolls-Royce, and does not pick up on subtle social signals, such as the insincerity of the Sloans’ invitation to lunch” (Lehan, 215).At the same time, aristocratic circles are depicted as mannequins, whose public behavior rarely reflects their true beliefs and attitudes. For instance, Tom is unfaithful in his affinity with wife and starts an affair with a woman, whose background is far from aristocratic and who lives in a poor neighborhood.Wealth is likewise close-knit with the theme of  moral freedom, which causes the moral abasement of the top society (Lehan, 233). The Buchanans are literally obdurate: instead of attending Gatsby’s funeral and demonstrating their respect for everything the murdered made for safeguarding Daisy’s reputation, they simply change the place of residence and distance themselves from the tragedy both physically and psychologically.Even Gatsby, the most â€Å"authentic” and open-minded person in the novel, seems adversely affected by his wealth and sinks in the marsh of criminal affairs increasingly deeper so that even his surroundings learn about his extralegal alcohol business and murders he committed.Therefore, by describing the wealthy New York City communities of the 1920s, Fitzgerald prominently illustrates the negative mend of excessive prosperity on human pry system and intrinsic ethical principles. The author as well as proves that money provides great freedom, but really fewer people are psychologically prepared to accept and successfully manage it.Works citedBruccoli, A. New Essays on The Great Gatsby. New York: Cambridge University Press, 1985.Fitzgerald, F. S. The Great Gatsby. Wordsworth Editions, 1993.Lehan, R. F. Scott Fitzgerald’s Craft of Fiction. Carbondale: gray Illinois University Press, 1966.Milford, N. Zelda. New York: Harper and Row, 1970.Turnbull, A. Scott Fitzgerald. New York: Charles Scribner’s Sons, 1962\r\n'